Category: Critique
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Belinda Kazeem-Kamiński. L’archivio in costante riscrittura
Di Alessia D’Introno English Version everything remains in the eye of the storm it is quiet, they say but now that I’m in it I can assure you echoes refuse to fade they only return to reclaim who was taken Tratta dalla poesia esposta sulle pareti della Kunst Merano Arte, questa invocazione poetica è il…
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Belinda Kazeem-Kamiński The archive in constant rewriting
By Alessia D’Introno everything remains in the eye of the storm it is quiet, they say but now that I’m in it I can assure you echoes refuse to fade they only return to reclaim who was taken Taken from the poem displayed on the walls of Kunst Merano Arte, this poetic invocation is the…
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Cose Bizzarre: the colonial amnesia in Jermay Michael Gabriel’s solo exhibition
By Alessia D’Introno The failure to convict the perpetrators for crimes committed in the colonies and the fact that the governments that followed after the fall of the regime never formalised their guilt, has in¬creased the growth of a collective imagination where even today colonialism is as¬associated with a history of little importance and the…
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Cose Bizzarre: l’amnesia coloniale nella personale di Jermay Michael Gabriel
Di Alessia D’Introno English Version La mancata condanna dei carnefici per i reati commessi nelle colonie e il fatto che i governi che seguirono dopo la caduta del regime non abbiano mai ufficializzato le loro colpe, ha incrementato la crescita di un immaginario collettivo dove ancora oggi il colonialismo è associato a una storia di…