Amoako Boafo at Palazzo Grimani: The Power of Blackness in Portraiture 

By Alessia D’Introno Amoako Boafo’s portraiture is striking for its colour, the intensity of his subjects’ gazes, and their self-assurance. At the Palazzo Grimani Museum, this time, it is above all the textures of the garments he paints that surprise us. The Ghanaian artist, in Italy for the first time with It Doesn’t Have to […]

Interview with Kwasi Ohene-Ayeh: blaxTARLINES KUMASI and Its Radical Artistic Practice

By Alessia D’Introno In recent years, the work of blaxTARLINES KUMASI has emerged as one of the most significant practices at the intersection of artistic experimentation, emancipation, and social responsibility. The collective is a paradigm that challenges the Eurocentric hierarchies of contemporary art, proposing models for education, production, and sharing. Conceived and launched within KNUST, […]

Interview with Va-Bene Elikem Fiatsi: Performance Queer Resistance and the Future of pIAR

By Alessia D’Introno Va-Bene Elikem Fiatsi, also known as crazinisT artisT is one of the most daring and revolutionary voices in the Ghanaian contemporary art scene. With the pronouns sHit if not She, she subverts the contradictions of language and denounces how the homophobic colonial legacy has reinforced the perception of queer people as disgusting.An internationally renowned […]

In Minor Keys: Koyo Kouoh’s Final Symphony for the 2026 Venice Biennale

By Alessia D’Introno Following the recent passing of curator Koyo Kouoh (1967–May 10, 2025), who had been appointed by President Pietrangelo Buttafuoco to curate the 61st International Art Exhibition of the Venice Biennale in 2026, the art world has responded with deep sorrow and a sense of loss. One of the main questions concerned the […]